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This is precisely the time when artists go to work.
There is no time for despair,
There is no time for despair,
no place for self-pity, no need for silence, no room for fear.
We speak, we write, we do language.
That is how civilisations heal.
Toni Morrison.
We speak, we write, we do language.
That is how civilisations heal.
Toni Morrison.
Sylvia Vollenhoven has been hard at work helping us to heal. I saw her plays My Word, Redesigning Buckingham Palace and Cold Case at the Baxter a while ago. The former went on to London’s West End, garnering four stars from The Times of London.
I was excited to see The Keeper of the Kumm, which had played to critical claim at the 2016 National Arts Festival in Grahamstown. The Keeper of the Kumm is a multi-media project comprising the play (a dance drama), a novel and a documentary film. Kumm is a story told in the extinct /Xam language which is represented on our coat of arms*.
The play, starring Quanita Adams, Elton Landrew and Dawn Langdown, with original music by Hilton Schilder, tells the story of Betjie Petersen, a hardened apartheid-era journalist who grapples with her identity. She reluctantly responds to a calling from her ancestor, //Kabbo, a 19th century rain-maker who went on a quest to the Cape to find people who would record the stories of his people.
The deeply autobiographical story crosses boundaries of time and place, and delves into religion, mental illness, tradition and the spiritual. Betjie finds healing for herself when she accepts her calling.
In one scene which resonated with me, //Kabbo urges her to write the stories of the “prison of Colouredness”. Sylvia’s calling will no doubt help many to find healing. I look forward to experiencing the other aspects of this project.
For more on The Keeper of the Kumm:
*South Africa's motto, written on the SA coat of arms is a /Xam phrase: !ke e: /xarra //ke, literally meaning: diverse people unite.
