17 April 2017

Reading for Pleasure or Not the Life of a Student

I have been so wrapped up in academia that it seems a lifetime ago that I actually read a book for pure pleasure. Every time I pick up a book a little voice appears urging me to read between the lines to look for hidden themes, symbols and contexts.  

In fact, I was forced to trawl the thousands of photographs on my phone (which I really need to make time to clean up) to find proof that I have done so! Sadly, this is from a holiday two and a half years ago. Pure bliss...


These days, my reading pile looks more like this:


I am having an amazing journey, by times stimulated, fascinated, overwhelmed, depressed, a whole gamut of emotions. And one book leads to another and another, and I fear that I may disappear behind a pile of paper and eventually someone may have to dig me out and I will emerge, clutching the thesis like the holy grail in one hand, the other hand hanging limply by my side with mouse-induced stiffness. 

I do miss immersing myself in a good book, curling up in bed and reading into the night. I also miss writing, keeping up with my blog, writing about issues that have nothing to do with slavery, colonialism or racism. Sitting at the computer feels like work all the time. I sneak onto Facebook and press a few likes, and disappear before I get sucked in. But would I do the studying all over again? Yes, without hesitation. It's given a different meaning to my life. 

So I am going on a trip this week and am most excited about choosing a book to read on the plane! Believe me, I have choices on my bookshelf from months ago when I ventured into bookshops in Australia and America. I even have Harper Lee's Go Set a Watchman from almost two years ago, when I very excitedly grabbed it off the shelf in Pawling, happy to read it before it had been released back home. (Well, I haven't yet!). What I have chosen, and it may have something to do with the title more than anything else, is:

The Bad-Ass Librarians of Timbuktu
and their race to save the 
world's most precious manuscripts

This is a story of a historian who organised a dangerous operation to save 350 000 volumes of ancient Islamic and secular texts out of Timbuktu to the safety of southern Mali. One of the reviews promises that the author, Joshua Hammer, "has pulled off the truly remarkable - a book that is both important and a delight to read. Another, that this book is a must-read if you are feeling despair about the fate of the world (which I am). I'm hoping that is enough to shut up the nagging little voice and that I will be able to simply enjoy the fantastic story! I will keep you posted. 


20 February 2017

On race and culture

I am still processing the information that, somewhere out there are 2000 people who bought a book with the good intentions of navigating the diverse cultures of the people of South Africa.  Instead, I shudder to think, they were offered stereotypes of so-called ‘coloured culture. That someone could be bold enough to write a chapter on the subject is wrong on so many levels. Where shall I start?

Firstly, the very notion of a grouping of coloured people is an artificial construct of an apartheid government hell-bent on denying the rights and freedoms to 80% of the population of our country, for more than 40 years. 

Secondly, culture, “the arts, customs, and institutions of a nation, people or group”, by its nature refers to a fairly homogenous group of people to begin with. There is no white culture or black culture or coloured culture.

Gabeba Baderoon in her book, Regarding Muslims, notes that,

… in the racial hierarchy of apartheid, ‘colouredness’ formed the interstitial zone between ‘native’ and ‘white’… defined solely through negatives, imbued with ambiguity … ‘colouredness’ was the fluid middle of the hierarchy in South Africa …

Even the architects of apartheid had trouble deciding who fitted into this group of “leftovers” (as Marike de Klerk so famously referred to coloureds). The fluidity that Baderoon refers to was evident in the seven subgroups of coloured made provision for in the Population Registration Act of 1950:

Cape Coloured/Malay/Griqua/Chinese/Indian/Other Asian/Other Coloured

And as Mrs de Klerk observed, the people who were” left after the nations were sorted out, the negative group, the non-people” were classified coloured.  Conveniently forgotten was the rich diversity of people descended from Indonesian slaves, Europeans, Khoikhoi and San, with diverse art, music, customs, speaking Afrikaans and/or English.  Also ignored by Mrs de Klerk and others like her, were studies that showed that on average 7% of all Afrikaner forefathers were of “coloured” origin. 

The Act required every citizen to be registered according to his/her race group, with race determined by a classification board acting on information from family and friends; a person’s hair, eyeballs and cuticles could be examined for pigmentation if there was any doubt. This fluidity meant, for example, that my grandfather could change his classification from ‘white’ to marry my ‘coloured’ grandmother, even though she was fairer-skinned than he. My aunt, who married a "real" European (as in he really was born there and not as a synonym for "white South African") was not able to live in South Africa with her husband. When she visited with her children, she was not allowed to stay in her mother’s “coloured” home with her “white” children.
My aunt Hilda on her wedding day

Lastly, tough as it may be to comprehend, there is only one human race. We are 99% genetically identical. There is no coloured race, or white or black race for that matter. So let’s refrain from deepening divisions by assigning sweeping characteristics to artificial groups of people. 

17 November 2016

A letter to my American friends a week after their elections

Like many of you, I have been devastated by the outcome of your elections. I am trying to make sense of what seems to me to be a giant step backwards for human rights, a blow to tolerance and respect. The whole world seems to be swinging back into a racist and colonialist mentality. First Brexit and now this. Major European countries have upcoming elections soon and I fear that those will follow this same right-wing trend. I can’t imagine what it must be like to be Obama and look back on 8 years of his life and wonder what the hell he achieved. There is no sense to be made.

I try to hide my head in the sand – why should I care about American politics when Americans seem to care only about themselves? But the reality is that when America sneezes, we catch cold. I’ve always tried to console myself with the idea that the American government is not necessarily the American people; that whatever wrongs the government commits it doesn’t mean the ordinary people are racist or islamophobes or … but now it seems that the people have spoken.

How is it possible that someone who openly supports racism and sexism and blatantly spouts hate-speech can have the support of more than 50 million people? Have we learnt nothing from history? Even if, as they say, most Americans are insular and ignorant about global events, have they learned nothing from their history? Nothing of civil rights and segregation and hatred and war and violence from your past?

Yesterday my daughter showed me that a proposed “victory” march by the Ku Klux Klan was trending on Facebook. I read in the Sunday newspaper that your president-elect’s father had been arrested at a rally years ago. He had been wearing the gown of the KKK. It sent shivers down my spine.

My son is in the USA and, like many of his friends, couldn’t wait to get out of his school uniform and grow his hair and beard. And from 12000 kms away, here I am freaking out about him looking like a “terrorist”. He is adamant that he is not going to shave and it goes against everything that I believe in to try and convince him that he should toe the line, lie low and not look a certain way. He probably wonders what I am on about since, even without the beard, he gets stopped at every airport for “random” security checks because of the way he looks. This feels like apartheid happening all over again.

There have been many articles written by experts in the fields, opinion pieces by academics and political commentators, pleas for tolerance and against panic. I’m trying to find comfort in the calls by diverse people for sanity to prevail, for people to take time to reflect and heal, and then to take action by forming community support groups, of becoming involved with NGO’s, of reaching out to their neighbours, to Muslims, Hispanics, Jews. Perhaps that’s all that we can do. To build small circles of compassion and to create ripples until, hopefully, we have concentric circles of goodness to protect and strengthen ourselves.

I was reminded this morning of a quote by Pastor Niemoller, a German who spoke out against the Nazis and was detained at Dachau. This is what he said,

First they came for the socialists and I did not speak out because I was not a socialist;
then they came for the trade unionists and I did not speak out because I was not a trade unionist;
then they came for the Jews and I did not speak out because I was not a Jew;
then they came for me and there was no one left to speak out for me.

In the dark days of apartheid that quote was pinned to my notice board. I found comfort in it then. I hope that it can still comfort now. And when I have energy perhaps I will heed Toni Morrison’s words:

There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilisations heal.


I hope that she’s right.  In the meantime, please take care of my son – underneath his tanned skin and beard is a good, kind man.  

01 August 2016

The Keeper of the Kumm


This is precisely the time when artists go to work. 
There is no time for despair, 
no place for self-pity, no need for silence, no room for fear. 
We speak, we write, we do language. 
That is how civilisations heal. 
Toni Morrison.

Sylvia Vollenhoven has been hard at work helping us to heal. I saw her plays My Word, Redesigning Buckingham Palace and Cold Case at the Baxter a while ago. The former went on to London’s West End, garnering four stars from The Times of London.  

I was excited to see The Keeper of the Kumm, which had played to critical claim at the 2016 National Arts Festival in Grahamstown. The Keeper of the Kumm is a multi-media project comprising the play (a dance drama), a novel and a documentary film. Kumm is a story told in the extinct /Xam language which is represented on our coat of arms*.

The play, starring Quanita Adams, Elton Landrew and Dawn Langdown, with original music by Hilton Schilder,  tells the story of Betjie Petersen, a hardened apartheid-era journalist who grapples with her identity. She reluctantly responds to a calling from her ancestor, //Kabbo, a 19th century rain-maker who went on a quest to the Cape to find people who would record the stories of his people.

The deeply autobiographical story crosses boundaries of time and place, and delves into religion, mental illness, tradition and the spiritual. Betjie finds healing for herself when she accepts her calling. 

In one scene which resonated with me, //Kabbo urges her to write the stories of the “prison of Colouredness”. Sylvia’s calling will no doubt help many to find healing. I look forward to experiencing the other aspects of this project. 

For more on The Keeper of the Kumm:

*South Africa's motto, written on the SA coat of arms is a /Xam phrase: !ke e: /xarra //ke, literally meaning: diverse people unite.  

18 July 2016

Memories of a trip to Madiba's village


After flying to East London from Cape Town, we drove north along the N2 for three hours, through the Wild Coast, formerly the Transkei, a homeland during the apartheid years and the Xhosa heartland. It rained steadily, the heavy grey skies contrasting sharply with bright green foliage and ochre-coloured earth. To our right was a rugged coastline pock-marked with secluded beaches, to the left forests, mountains and rivers. The national road cut straight through the CBD of small towns. In Butterworth, pedestrians, hawkers, obnoxious taxis and speeding traffic clashed in the chaotic main road. It was two days before Christmas and queues of people snaked around corners, waiting to withdraw hard-earned cash. 

I was surprised by how undeveloped the area was. In his autobiography, A Long Walk to Freedom, Mandela speaks fondly of his childhood in Qunu – swimming in the river, stick-fighting with his friends, tending sheep and drinking milk straight from cows’ udders. I was sure not much had changed since then. Qunu, where the family took refuge after Mandela’s father was deposed as chief, is right next door to his birthplace, Mvezo. 

The number of potholes in the road seemed to be in direct proportion to how rural the surrounding countryside was. Cows grazed along the roadside while goats risked their lives, and ours, by running across the tarmac with little regard for traffic. Our driver was forced to slow down to negotiate the obstacle course, and pointed to scatterings of thatch-roofed mud huts, sprinkled on the slopes of hills. Small cultivated patches of soil produced the vegetables to be cooked in black pots hung over open fires. Women, their faces and bodies decorated with white clay, collected water in pots from the river and carried them home, balanced on turbaned heads.


 


A few rondavels with stable doors were strung out in a semi-circle and a number of white and brown cows were enclosed in a low-walled kraal. A fire was spluttering in a clearing where black three-legged pots stood next to a stack of wood protected from the rain with plastic. Mongrels, perhaps anticipating a feast, sniffed at the pots.



Old men, wearing gumboots, blue and orange overalls and battered felt hats, were sitting on the wall of the kraal. 

As we traversed the treacherous terrain, we imagined what a difficult journey it must’ve been for Madiba from herd-boy to president. Little wonder he advocated education as the single most powerful weapon to change the world. The site for the planned Nelson Mandela School of Science and Technology, sponsored by Siemens, had been marked out. It struck me as almost more important a landmark than the small open-air museum nearby. It would serve many future generations of leaders. 


04 June 2016

Che Guevara of Bonteheuwel

http://actionkommandant.co.za/tag/nadine-cloete/
Nadine Cloete is a young South African film-maker on a mission to balance the stories about gangsters, drugs and crime, emanating from the Cape Flats. Judging by the sold out premiere at the V& A’s Cinema Nouveau theatre last night, with people begging to be let in to sit on the steps for the showing of her latest documentary, people want to hear what she has to say.

Her latest movie tells the story of anti-apartheid activist Ashley Kriel who was murdered by the South African security police in 1987, after he returned from Angola. His murderer, Jefrey Benzien, admitted to the Truth and Reconciliation Commission that he had shot the 20 year old who was handcuffed, in the back. Despite pleas to the opposite, Benzien was granted amnesty in 1999.

Kriel was from a working class neighbourhood, raised by a single mother, his father had been stabbed to death. He was conscientised from a young age to fight for what he believed was right. Nicknamed the "Che Guevara of Bonteheuwel", he influenced a generation of youth activists in his short life.

The film which debuted at the Seattle Film Festival earlier this year, tells a multi-faceted story of the young leader and is powerfully framed by discussions among contemporary students at the school Kriel attended.

The audible sobbing of Kriel’s sisters sitting a few seats from where I was, brought back with full force the trauma and wounds we have suffered and which have not been allowed to heal.


The Encounters International Documentary Film Festival is currently on in Cape Town at The Labia and Cinema Nouveau.

25 April 2016

Identity Crisis in Perthfontein?

“We call it Perthfontein,” said the son of a friend. “And don’t think that you can use Afrikaans to talk behind anyone’s back in the mall,” he added, “they might well understand you!” So I was warned. All the “South Africanisms” still came as a surprise though.  The huge South African flag above the SA Essentials shop which greeted me every time we went to the yoga studio, the Nando’s chicken outlet, the wine farm down south which had been replicated from Groote Constantia (including the slave bell) and of course all the South Africans who I met, eager to switch into at least a few phrases of Afrikaans and to tell me that they have to do without house help. And like many a South African dorpie which ends in –fontein, the malls have only recently been allowed to trade on Sundays. 

                       
There’s something oddly familiar about Australia. Of course there’s the obvious British influence – driving on the left hand side of the road, the almost-recognisable school uniforms, images of the Queen. Added to that is more than a smattering of America in the chain stores and restaurants, from K-Mart to McDonald’s and KFC. 


The landscape was recognisable; I knew the vegetation. I could be travelling to Beaufort West in the Great Karoo, if not for the black and yellow signs warning of kangaroos bounding across the highway. “Proudly-South-African-in-Perth” websites and Facebook pages bear testimony to the 155 000 South Africans who live mostly here and in Sydney. Little wonder then that the Australian identity eluded me.

No matter, I enjoyed the long stretches of beaches, the towns with musical names like Bunberry, Yallingup and Dunsborough, the architectural marvel that is the Sydney Opera House, the bakery in the middle of nowhere which operated on an honesty system, the kangaroos who looked like they’d skipped upper limb exercises at the gym and the lethargic koala bears. I ate good food, went on long walks and enjoyed being able to cross the road without thinking; I reconnected with old friends. I returned home to find myself.